By 2001 the finishing line was approaching for the Ferrari 333 SP, only competitive in Europe in FIA Sports Car Championship. Still elegant though in the Catalonia sunshine.
John Brooks, August 2012
One of the most important wins in the long career of the Ferrari 333 SP was in the fall of 1998 when Doyle Risi Racing’s example won the inaugural Petit Le Mans. The trio of Wayne Taylor, Eric van de Poele and Emmanuel Collard beat off strong opposition on the way to victory in this instant classic.
The race was also important in giving the world the concept of taking the rules governing Le Mans 24 Hours and exporting them to other track and series. Thus we have been lucky enough to see the American Le Mans Series over the years that followed.
John Brooks, August 2012
The 1998 Le Mans 24 Hours was very cruel to the factories, both Mercedes Benz and BMW saw their cars retired before sunset instead of contesting victory, an ignominious failure for such top line teams. The Williams designed and built BMW V12 LM suffered suspected rear wheel bearing failure, and rather than risk the consequences of a suspension collapse at high speed, the cars were withdrawn. This shot is early in the race, real early, as Pier-Luigi Martini leads Tom Kristensen. Next year it would all be very different.
John Brooks, August 2012
Under the spectacular African sky, Eric van de Poele speeds the Doyle Risi Ferrari 333SP towards Kyalami’s final corner. Chasing him is Jean-Michel Martin in the Elf La Filiére Courage-Porsche C36. It is late in 1998, the final shots in the campaign that year. The time of Mango……………….
John Brooks August 2012
Even as I spotted the potential shot while driving round the perimeter road at Brno, my mind was chasing a link with something I had seen before. While reviewing the files later on the laptop I had my eureka moment, it was the album cover for Caravanserai, Santana’s 70’s masterpiece. The opening track was a musical expression of this other world where light bends and dazzles. Tom Rutley, Neal Schon and Michael Shrieve’s composition still holds the attention absolutely some four decades down the road. Art that has stood the test of time.
My own effort is but a pale attempt to imitate and capture that sense of magic and wonder. One can but try…………….
John Brooks, August 2012